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Faustin Linyekula When Congo Politics meet Art IN SEARCH OF DINOZORD

16 Juin 2018 , Rédigé par Caro Sika Publié dans #carosika, #dance, #politics, #society, #afroculture, #2018, #faustinlinyekula, #ENG, #rdc

Photo Credit: Lift Festival

Photo Credit: Lift Festival

This piece is hosted by LIFT, London Premier Festival of International Performance, at the Place 17 Duke's Rd, Kings Cross, London WC1H 9PY. See below for Link

In Search of Dinozord is a very intense political piece touching on the violence of the Congo Regime since the years of Sese Seko Mobutu up to now. It is an immersive and intimate experience which gives a face and a voice to Congolese nationals who have fallen in the trap of being statistics, whose sufferings are invisible to the international community.

Different stories are told; one of a friend who no longer is and dreamt to change African litterature; one of Vumi who was emprisonned with other political prisoners in Congo, who escaped and is now referred to, in the piece, as the last seed. "Seed, I am the last". This story is not fictional but real and it is documented with photos projected on stage while actors dance and mourn the absence of their friends, yet refusing to let go of the torn dreams for a better Congo.

Faustin Linyekula starts the journey alone with his face painted in white clay which for the Bantou people is the color of death and the other world. He delves into his childhood memories attempting to make sense of the agony of his people and to resurrect from the ashes hope and a new man.

The dancers from Studios Kabako master the dance technicality of Central Africa in a contemporary fashion, its codes, giving the sense of a continuous flow of life through the circular movement of their hips amongst ruins, violence and loss. It will conclude in a solo piece, fusion of jazz and blues, where the dancer would evolve effortlessly through breakdance and popping into a new man. The powerful Live vocals by the South African singer and actress, Hlengiwe Lushaba, embody the search of meaning and freedom through art of an African nation "once" in chains, desillusioned, forced to adapt and rebuild their lives in a forced exile. She sings from the depths of her soul.

"Where day meets night, agony meets birth"  these words can be read on the screen.

As Faustin Linyekula and Vumi would conclude in the talk following the piece, "Congo is an open market for everyone and it belongs to multinational companies today. It is convenient to keep Congo as a war zone and messy so that they can get cheap minerals. We should all be concerned...

The last performance in London is tonight at the Place, not to be missed.

Faustin Linyekula, Studios Kabako and Caro Sika

Faustin Linyekula, Studios Kabako and Caro Sika

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